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Michelangelo Buonarroti Oil Painting Reproductions
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Michelangelo Buonarroti The Doni Tondo (nn03) oil


Michelangelo Buonarroti
The Doni Tondo (nn03)
Painting ID::  23384
new8/Michelangelo Buonarroti-894672.jpg 		The Doni Tondo (nn03)
c 1503/4 Tempera on panel diam 120 cm diam 47 1/4 in Galleria degli Uffizi Florence
   
   
     
Michelangelo Buonarroti The Holy Family with the Young St.John the Baptist oil


Michelangelo Buonarroti
The Holy Family with the Young St.John the Baptist
Painting ID::  29033
new3/Michelangelo Buonarroti-553746.jpg 		The Holy Family with the Young St.John the Baptist
mk65 Oil on panel 47 1/4in Uffizi,Gllery
   
   
     
Michelangelo Buonarroti Holy Family oil


Michelangelo Buonarroti
Holy Family
Painting ID::  30453
new4/Michelangelo Buonarroti-257442.jpg 		Holy Family
mk68 Tempera on panel diameter 3'11 1/4" Florence c.1503-1504 ltaly
   
   
     
Michelangelo Buonarroti Creation of Adam oil


Michelangelo Buonarroti
Creation of Adam
Painting ID::  30455
new4/Michelangelo Buonarroti-569525.jpg 		Creation of Adam
mk68 Fresco Vatican,Sistine Chapel 1508-1511 Ltaly
   
   
     
Michelangelo Buonarroti Ceiling of the Sistine Chapel oil


Michelangelo Buonarroti
Ceiling of the Sistine Chapel
Painting ID::  30458
new4/Michelangelo Buonarroti-473626.jpg 		Ceiling of the Sistine Chapel
mk68 Fresco. 128x45 Vatican Chapel 1508-1512 Italy
   
   
     
Michelangelo Buonarroti Last Judgement oil


Michelangelo Buonarroti
Last Judgement
Painting ID::  30494
new4/Michelangelo Buonarroti-329942.jpg 		Last Judgement
mk68 Fresco, Vatican,Sistine Chapel 1536-1541 Italy
   
   
     
Michelangelo Buonarroti The Creation of Adam oil


Michelangelo Buonarroti
The Creation of Adam
Painting ID::  31358
new4/Michelangelo Buonarroti-755266.jpg 		The Creation of Adam
nn07 1508-1512
   
   
     
Michelangelo Buonarroti Holy Family oil


Michelangelo Buonarroti
Holy Family
Painting ID::  33248
new9/Michelangelo Buonarroti-934658.jpg 		Holy Family
mk83 c.1504
   
   
     
Michelangelo Buonarroti Damned soul descending into Hell oil


Michelangelo Buonarroti
Damned soul descending into Hell
Painting ID::  33459
new9/Michelangelo Buonarroti-462989.jpg 		Damned soul descending into Hell
mk86 1536-1541 Fresco 1375x1220cm Rome,Vatican Sistine Chapel
   
   
     
Michelangelo Buonarroti Holy Family oil


Michelangelo Buonarroti
Holy Family
Painting ID::  33476
new9/Michelangelo Buonarroti-584984.jpg 		Holy Family
mk86 c.1504/05 Oil tempera on wood
   
   
     
Michelangelo Buonarroti Delphic Sybyl oil


Michelangelo Buonarroti
Delphic Sybyl
Painting ID::  33477
new9/Michelangelo Buonarroti-436939.jpg 		Delphic Sybyl
mk86 c.1506-1509 Fresco c.350x380cm Rome,Vatican Sistine Chapel
   
   
     
Michelangelo Buonarroti The Creation of Adam oil


Michelangelo Buonarroti
The Creation of Adam
Painting ID::  33478
new9/Michelangelo Buonarroti-783392.jpg 		The Creation of Adam
mk86 c.1510 Fresco c.280x570cm Rome,Vatican,Sistine Chapel
   
   
     
Michelangelo Buonarroti Die Erschaffung der Eva oil


Michelangelo Buonarroti
Die Erschaffung der Eva
Painting ID::  34367
new10/Michelangelo Buonarroti-968533.jpg 		Die Erschaffung der Eva
mk92 1510 170x260cm Rom,Sixtinische Kapelle
   
   
     
Michelangelo Buonarroti Die Erschaffung der Eva oil


Michelangelo Buonarroti
Die Erschaffung der Eva
Painting ID::  34368
new10/Michelangelo Buonarroti-676898.jpg 		Die Erschaffung der Eva
mk92 1510 Fresko 355x380cm Sixtinische Kapelle
   
   
     
Michelangelo Buonarroti The victim Noachs oil


Michelangelo Buonarroti
The victim Noachs
Painting ID::  39424
new12/Michelangelo Buonarroti-359598.jpg 		The victim Noachs
mk148 around 1510, cover painting in the Sixtinischen chapel, Rome. after this victim God closed its pact with Noach gene 8.20) and it that" laws Noachs" given
   
   
     
Michelangelo Buonarroti The crucifixion of the Hl. Petrus oil


Michelangelo Buonarroti
The crucifixion of the Hl. Petrus
Painting ID::  39444
new12/Michelangelo Buonarroti-957935.jpg 		The crucifixion of the Hl. Petrus
mk148 late fresco of Michelangelo(1475-1564) in the Cappella Paolina, Vatican
   
   
     
Michelangelo Buonarroti The Holy Family with the Young St.John the Baptist oil


Michelangelo Buonarroti
The Holy Family with the Young St.John the Baptist
Painting ID::  40292
new12/Michelangelo Buonarroti-745346.jpg 		The Holy Family with the Young St.John the Baptist
mk153 c.1506 Oil on panel
   
   
     
Michelangelo Buonarroti The Last judgment oil


Michelangelo Buonarroti
The Last judgment
Painting ID::  40357
new12/Michelangelo Buonarroti-464887.jpg 		The Last judgment
mk156 1536-40 Fresco 12.2x13.7cm
   
   
     
Michelangelo Buonarroti Conversion of St.Paul oil


Michelangelo Buonarroti
Conversion of St.Paul
Painting ID::  40366
new12/Michelangelo Buonarroti-343666.jpg 		Conversion of St.Paul
mk156 1542-45 Fresco 625x661cm
   
   
     
Michelangelo Buonarroti Conversion of St.Paul oil


Michelangelo Buonarroti
Conversion of St.Paul
Painting ID::  40367
new16/Michelangelo Buonarroti-662247.jpg 		Conversion of St.Paul
mk156 1542-45 Fresco 625x661cm
   
   
     
Michelangelo Buonarroti Cumaean Sibyl oil


Michelangelo Buonarroti
Cumaean Sibyl
Painting ID::  41521
new16/Michelangelo Buonarroti-249562.jpg 		Cumaean Sibyl
mk164 c.1510 Sistine Chapel Rome
   
   
     
Michelangelo Buonarroti Dying slave oil


Michelangelo Buonarroti
Dying slave
Painting ID::  42654
new16/Michelangelo Buonarroti-954293.jpg 		Dying slave
MK169 ca.1513.Marmer height 229cm Louvre, Paris
   
   
     
Michelangelo Buonarroti plfond of the Sixtijnse chapel Rome Vatican oil


Michelangelo Buonarroti
plfond of the Sixtijnse chapel Rome Vatican
Painting ID::  42655
new16/Michelangelo Buonarroti-527789.jpg 		plfond of the Sixtijnse chapel Rome Vatican
MK169 1508-12 Fresco 13.7x39m
   
   
     
Michelangelo Buonarroti Sixtijnse chapel with the ceiling painting oil


Michelangelo Buonarroti
Sixtijnse chapel with the ceiling painting
Painting ID::  42656
new16/Michelangelo Buonarroti-973675.jpg 		Sixtijnse chapel with the ceiling painting
MK169 1534-41
   
   
     
Michelangelo Buonarroti Erythraeische sibille oil


Michelangelo Buonarroti
Erythraeische sibille
Painting ID::  42657
new16/Michelangelo Buonarroti-765339.jpg 		Erythraeische sibille
MK169 detail of the ceiling Sixtijnse chapel, Vatican, Rome 1508-12 Fresco
   
   
     
Michelangelo Buonarroti God separates the waters and the country and blesses its work, oil


Michelangelo Buonarroti
God separates the waters and the country and blesses its work,
Painting ID::  42658
new16/Michelangelo Buonarroti-343833.jpg 		God separates the waters and the country and blesses its work,
MK169 detail of the ceiling Sixtijnse chapel Vatican, Rome. 1508-12
   
   
     
Michelangelo Buonarroti The Entombment oil


Michelangelo Buonarroti
The Entombment
Painting ID::  42964
new16/Michelangelo Buonarroti-369892.jpg 		The Entombment
mk170 1497-1498 Oil on wood 161.7x149.9cm
   
   
     
Michelangelo Buonarroti THe Madonna and Child with Saint John and Angels oil


Michelangelo Buonarroti
THe Madonna and Child with Saint John and Angels
Painting ID::  42965
new16/Michelangelo Buonarroti-357398.jpg 		THe Madonna and Child with Saint John and Angels
mk170 circa 1500 Tempera on wood 104.5x77cm
   
   
     
Michelangelo Buonarroti Ancestors of Christ figures oil


Michelangelo Buonarroti
Ancestors of Christ figures
Painting ID::  44253
new16/Michelangelo Buonarroti-725564.jpg 		Ancestors of Christ figures
245 x 340 cm
   
   
     
Michelangelo Buonarroti Ancestors of Christ oil


Michelangelo Buonarroti
Ancestors of Christ
Painting ID::  44254
new16/Michelangelo Buonarroti-959763.jpg 		Ancestors of Christ
245 x 340 cm
   
   
     
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     Michelangelo Buonarroti
     b Caprese 1475 d Rome 1564 Born: March 6, 1475 Caprese, Italy Died: February 18, 1564 Rome, Italy Italian artist Michelangelo was one of the greatest sculptors of the Italian Renaissance and one of its greatest painters and architects. Early life Michelangelo Buonarroti was born on March 6, 1475, in Caprese, Italy, a village where his father, Lodovico Buonarroti, was briefly serving as a Florentine government agent. The family moved back to Florence before Michelangelo was one month old. Michelangelo's mother died when he was six. From his childhood Michelangelo was drawn to the arts, but his father considered this pursuit below the family's social status and tried to discourage him. However, Michelangelo prevailed and was apprenticed (worked to learn a trade) at the age of thirteen to Domenico Ghirlandaio (1449?C1494), the most fashionable painter in Florence at the time. After a year Michelangelo's apprenticeship was broken off. The boy was given access to the collection of ancient Roman sculpture of the ruler of Florence, Lorenzo de' Medici (1449?C1492). He dined with the family and was looked after by the retired sculptor who was in charge of the collection. This arrangement was quite unusual at the time. Early works Michelangelo's earliest sculpture, the Battle of the Centaurs (mythological creatures that are part man and part horse), a stone work created when he was about seventeen, is regarded as remarkable for the simple, solid forms and squarish proportions of the figures, which add intensity to their violent interaction. Soon after Lorenzo died in 1492, the Medici family fell from power and Michelangelo fled to Bologna. In 1494 he carved three saints for the church of San Domenico. They show dense forms, in contrast to the linear forms which were then dominant in sculpture. Rome After returning to Florence briefly, Michelangelo moved to Rome. There he carved a Bacchus for a banker's garden of ancient sculpture. This is Michelangelo's earliest surviving large-scale work, and his only sculpture meant to be viewed from all sides. In 1498 the same banker commissioned Michelangelo to carve the Piet?? now in St. Peter's. The term piet?? refers to a type of image in which Mary supports the dead Christ across her knees. Larger than life size, the Piet?? contains elements which contrast and reinforce each other: vertical and horizontal, cloth and skin, alive and dead, female and male. Florence On Michelangelo's return to Florence in 1501 he was recognized as the most talented sculptor of central Italy. He was commissioned to carve the David for the Florence Cathedral. Michelangelo's Battle of Cascina was commissioned in 1504; several sketches still exist. The central scene shows a group of muscular soldiers climbing from a river where they had been swimming to answer a military alarm. This fusion of life with colossal grandeur henceforth was the special quality of Michelangelo's art. From this time on, Michelangelo's work consisted mainly of very large projects that he never finished. He was unable to turn down the vast commissions of his great clients which appealed to his preference for the grand scale. Pope Julius II (1443?C1513) called Michelangelo to Rome in 1505 to design his tomb, which was to include about forty life-size statues. Michelangelo worked on the project off and on for the next forty years. Sistine Chapel In 1508 Pope Julius II commissioned Michelangelo to decorate the ceiling of the chief Vatican chapel, the Sistine. The traditional format of ceiling painting contained only single figures. Michelangelo introduced dramatic scenes and an original framing system, which was his earliest architectural design. The chief elements are twelve male and female prophets (the latter known as sibyls) and nine stories from Genesis. Michelangelo stopped for some months halfway along. When he returned to the ceiling, his style underwent a shift toward a more forceful grandeur and a richer emotional tension than in any previous work. The images of the Separation of Light and Darkness, and Ezekiel illustrate this greater freedom and mobility. After the ceiling was completed in 1512, Michelangelo returned to the tomb of Julius and carved a Moses and two Slaves. His models were the same physical types he used for the prophets and their attendants in the Sistine ceiling. Julius's death in 1513 halted the work on his tomb. Pope Leo X, son of Lorenzo de' Medici, proposed a marble facade for the family parish church of San Lorenzo in Florence to be decorated with statues by Michelangelo. After four years of quarrying and designing the project was canceled. Medici Chapel In 1520 Michelangelo was commissioned to execute the Medici Chapel for two young Medici dukes. It contains two tombs, each with an image of the deceased and two allegorical (symbolic) figures: Day and Night on one tomb, and Morning and Evening on the other. A library, the Biblioteca Laurenziana, was built at the same time on the opposite side of San Lorenzo to house Pope Leo X's books. The entrance hall and staircase are some of Michelangelo's most astonishing architecture, with recessed columns resting on scroll brackets set halfway up the wall and corners stretched open rather than sealed. Poetry Michelangelo wrote many poems in the 1530s and 1540s. Approximately three hundred survive. The earlier poems are on the theme of Neoplatonic love (belief that the soul comes from a single undivided source to which it can unite again) and are full of logical contradictions and intricate images. The later poems are Christian. Their mood is penitent (being sorrow and regretful); and they are written in a simple, direct style. Last Judgment In 1534 Michelangelo left Florence for the last time, settling in Rome. The next ten years were mainly given over to painting for Pope Paul III (1468?C1549).

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